Born in Cork, Ireland, but actively plying his trade worldwide, Fin DAC is a self-taught, non-conformist urban artist who has defined and perfected an atypical spray paint style he has dubbed Urban Aesthetics.
Through his work the artist explores themes related to female emancipation and empowerment, readjusting the male gaze and disrupting colonialist attitudes particularly surrounding the Eastern experience.
He is known for his depictions of Eurasian women and is inspired by traditional and ceremonial dressing, in which these subjects engage. His interest; however, is not superficial or thoughtless. In his illustration of these women, Fin DAC reframes racial and sexual stereotypes that surround them, crafting a narrative that celebrates their sensuality with cultural sensitivity, rather than appropriation.
When he works in an outdoor context, Fin DAC’s women are often large and commanding, claiming ownership over their urban environment, but also equally feminine, with classically delicate features. Through this duality, Fin DAC asserts that women are both powerful and vulnerable, aesthetic and intellectual, physically capable and with deep emotional reserves.
Although his murals are present in countries and continents all over the globe, Fin DAC remains very much an outsider of the street art scene preferring instead to plow his own, individual path with personal projects.
Dojagi #2 , 20191 off archival pigment print on 330 gsm Somerset paper
Hand-Embellished62 x 86 cmFin DACSold
Shinka, 201821 Colour Screen Print On 300 Gsm somerset satin Paper
AP64 x 88 cmFin DACSold
Sonyeo, 2020Collage on 330 gsm Somerset paper
Unique86 x 62 cmFin DACReserved
Sun Goddess II (Hors d’Commerce Proof), 201811 Colour Screen Print On 300 Gsm Somerset satin Paper
Framed in black with museum glass.
This is part of a set from a collaboration with Kevin Ledo21 5/8 x 29 1/2 in
55 x 75 cmFin DAC